Ρε δε μπορώ, κάτι με πιάνει όταν ακούω αυτό το κομμάτι. Το αλμπουμ το 'χω χώσει και στα “αγαπημένα-πώς και γιατί”, είναι συνδεδεμένο με φάση της ζωής μου, έχω δεθεί.
Είναι ο ορισμός του masterpiece. Τα έχει όλα. Θεματολογία θες, μουσική θες, όλα.
δείτε τους αστερίσκους, έχουν ζουμί.
[I]It’s obviously ironic, as you cannot “fuck” a system by another system!
Those lyrics were inspired by Abbie Hoffmann’s manifesto “Fuck the System”.
Irony and sarcasm, are the two keys to understand this peculiar “666”.[/I]
και φυσικά το μήλον της έριδος, [U]Infinity[/U]
[I][note: The words are: “I am to come” and "I was to come"
She begins to blend the two together as she gets in to it (the song), and some times, it it more like: "I was, I am, I was, I was, I am to come."
It is the inversion of “Who was, is, is to come” of the Revelation, attributed to the Good.
Here, the “Bad”, (the Beast, 666) turns this phrase into Ego, (first person),
and tries to be born again, or to give birth to another Ego, or to “make love” to is own self and so on.
και για να μην ξεχνιόμαστε
"This work was recorded under the influence of “SAHLEP”.
[I]His reaction was more than enthusiastic. He said that the music was “a music of stone” (“C? est oune mouzique de pierre” he said with his peculiar French accent) and reminded him of the church of Sagrada Famiglia of Gaudi in Barcelona. As about the lyrics, he said, they expressed perfectly the yippie movement, and reminded him Durer (the painter of the Apocalypse). He then said that we must introduce this work to the public, by a big international event, a great “happening”, suitable for the greatness of “666”. He said, finally, that if he was a musician and a lyrics writer, this could be one of his great works.[/I]
τάδε έφη Dali.