Ibanez Musician 1979 model

Για πώληση η εξής vintage Ibanez musician 1979 model (Japan)

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The Ibanez Musician was born out of the Japanese copy boom of the 1970s, which also helped spawn the Ibanez Destroyer and Iceman.

After Ibanez were sued for copying Gibson designs they branched out into original designs. Their first original models were the aforementioned two guitars, as well as the Performer, a Les Paul-type with a small curve cut into the bass side of the neck joint.This design has been more famously used by another Japanese company, Aria, on the iconic PE series.

The Musician was a more conservative piece of design than the wild stylings of the Iceman and the ?Explorer-on-steroids? look utilised on the Destroyer.

It had a body shape halfway between a Stratocaster and a Les Paul, the same overall shape as a double cutaway PRS, although of course those guitars came about five years later. The most basic model was the MC100, with a bolt-on neck, although all the others, up to the custom order MC550WN model (of which only 465 were made), were neck-through.

This new series of guitars were known for their excellent sustaining properties, although this did lead to extra unwanted weight. The woods used were usually walnut and maple (for the through-neck), plus ash or walnut ?wings? which formed the actual body.

Pickups were Ibanez Super 88 humbuckers, and the high-end MC500 had an onboard three-band EQ activated by a toggle switch. This gave the player free rein to create a properly unique sound, for when the other two toggle switches activating phase reversal and coil splitting of the pickups just weren?t enough.

The MC500 had controls for the passive pickup mode, and three more knobs for when the EQ switch was on. The passive controls were a master volume, master tone, three-way pickup selector and the coil split and phase reversal switches. When the third toggle switch was activated the active controls (a different knob type to avoid confusion between the passive and active controls) controlled Bass boost, Midrange boost and Treble boost. The control layout for the Musician MC500, while vast, was quite simple and easy to use.

The EQ allowed for a vast spectrum of sounds, and the beautiful woods, through-neck, carved top and huge sustain made the MC500 one of the more desirable guitars of the late 1970s.

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