KMFDM - Symbols ( 1997 )
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( apo wiki: )
KMFDM is an industrial rock band and the brainchild of founding member Sascha Konietzko. KMFDM was founded in Paris, France on February 29, 1984 as a joint effort between Konietzko and German painter/multi-media performer Udo Sturm to perform for the opening of an exhibition of young European artists at the Grand Palais.
While recognized within the ranks of Nitzer Ebb, Ministry, and Skinny Puppy as pioneers in introducing industrial music to mainstream audiences, KMFDM describes their sound as “the Ultra-Heavy Beat”. KMFDM’s earliest output is more accurately described as performance art, as Konietzko incorporated not only visuals but non-musical devices (e.g. vacuum cleaners) as instruments. Their albums from the 1980s featured heavy sampling and studio manipulations, and the primary instruments used were synthesizers and drum machines. With the addition of guitarist Günter Schulz, KMFDM shifted to a more “industrial metal” style, with heavy guitar riffs driving their sound. With the release of Angst in 1993, KMFDM were nearly discovered by the mainstream with their hit single “A Drug Against War”. In spite of the band’s “anti-MTV”, “anti-mainstream” attitude, the video of “A Drug Against War” was circulated in heavy rotation on MTV and was even featured on the MTV cartoon Beavis & Butt-head.
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Since the release of 1989’s UAIOE, KMFDM’s music has been a fusion of electronic and heavy metal, with occasional elements of reggae, ska, and even rap. Many songs feature prominent backing vocals by female singers, notably Dorona Alberti, Cheryl Wilson, Jennifer Ginsberg, Abby Travis, and Lucia Cifarelli. Frequent KMFDM contributor Raymond Watts incorporates the style of his own musical project PIG, which features macabre lyrics, guttural vocals, and heavy, guitar-laden arrangements.
After the band’s three-year hiatus which ended in 2002, KMFDM adopted a more “traditional” rock sound, that is, recording and performing with a typical band lineup ? lead vocalist, lead and rhythm guitarist, bassist, and drummer ? while continuing to incorporate electronics and sampling.
From KMFDM’s inception, the band has been highly political. Their lyrics typically call for the rejection of and resistance to incompetent rule in capitalist society, as well as outrage over terrorism, violence, oppression, censorship, and, most explicitly, war. Their songs often feature samples of news broadcasts and speeches by political leaders, usually in an expression of irony.
KMFDM are not without a sense of humor, however. Nearly every album features a song in which they lampoon themselves, particularly evident in the lyrics to “More & Faster”, “Sucks”, “Light”, “Inane”, and “Megalomaniac”. Their knack for self-parody came to a head in 2003 with the song “Intro” from the album WWIII, in which Konietzko takes a jab at each band member ? including himself ? with a tongue-in-cheek and slightly irreverent verse. Often the band performs the encore after the crowd repeatedly chants “KMFDM SUCKS!”.
apo emena: otan akousa ton disko auto, allaksan (mallon kalitera na pw: dieurun8ikan) kata poli oi mousikes protimhseis mou.
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